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In My Own Words 2015

In My Own Words 2015

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UN Climate Summit 2015

UN Climate Summit 2015

On 9th December 2015, hundreds took part in simultaneous protest performances inside and outside the Louvre Museum, calling on it to drop its oil company sponsors Eni and Total.


This action marks the first international collaboration between a number of artist-activist groups working to liberate museums and cultural institutions around the world from ties to fossil fuel companies. This new and rapidly growing movement for a #FossilFreeCulture extends the divestment movement into the cultural sphere, calling on cultural institutions to cancel fossil fuel sponsorship contracts, divest financial holdings in the industry, and kick oil executives and climate deniers off their boards. Campaigners argue that fossil fuel companies sponsor museums and galleries in order to cleanse their tarnished brands and gain a 'social licence' to operate, to keep drilling and mining. 

Credit Kristian Buus. 2015
 

Studio Work 2016

Studio Work 2016

ASC The Chaplin Centre

Taplow House, Thurlow Street
London, SE17 2DG UK

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In My Own Words 2015

In My Own Words 2015

UN Climate Summit 2015

UN Climate Summit 2015

On 9th December 2015, hundreds took part in simultaneous protest performances inside and outside the Louvre Museum, calling on it to drop its oil company sponsors Eni and Total.


This action marks the first international collaboration between a number of artist-activist groups working to liberate museums and cultural institutions around the world from ties to fossil fuel companies. This new and rapidly growing movement for a #FossilFreeCulture extends the divestment movement into the cultural sphere, calling on cultural institutions to cancel fossil fuel sponsorship contracts, divest financial holdings in the industry, and kick oil executives and climate deniers off their boards. Campaigners argue that fossil fuel companies sponsor museums and galleries in order to cleanse their tarnished brands and gain a 'social licence' to operate, to keep drilling and mining. 

Credit Kristian Buus. 2015
 

ZAC2.jpg
In My Own Words 2015

In My Own Words 2015

Studio Work 2016

Studio Work 2016

ASC The Chaplin Centre

Taplow House, Thurlow Street
London, SE17 2DG UK

UN Climate Summit 2015

UN Climate Summit 2015

On 9th December 2015, hundreds took part in simultaneous protest performances inside and outside the Louvre Museum, calling on it to drop its oil company sponsors Eni and Total.


This action marks the first international collaboration between a number of artist-activist groups working to liberate museums and cultural institutions around the world from ties to fossil fuel companies. This new and rapidly growing movement for a #FossilFreeCulture extends the divestment movement into the cultural sphere, calling on cultural institutions to cancel fossil fuel sponsorship contracts, divest financial holdings in the industry, and kick oil executives and climate deniers off their boards. Campaigners argue that fossil fuel companies sponsor museums and galleries in order to cleanse their tarnished brands and gain a 'social licence' to operate, to keep drilling and mining. 

Credit Kristian Buus. 2015
 

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In My Own Words 2015

In My Own Words 2015

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

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Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

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Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

IMG_9961.jpg
Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

Studio Work 2015 Book Objects

Studio Work 2015 Book Objects

Camberwell College of Arts 

University of the Arts, London

45-65 Peckham Rd, London SE5 8UF

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.

 

One and Three Tweets 2015

One and Three Tweets 2015

 

One and Three Tweets, Freddy Gallery, Baltimore

Last fall, Irving started a Twitter account (@OnBeingKennyG) posting images of her hand-­drawn renderings of every tweet that Goldsmith posted from his own twitter account (@kg_ubu). Goldsmith, known for his ideas of uncreative writing, is an advocate for plagiarism and identity ­theft in the digital age. By hand-­rendering every tweet Goldsmith made, Irving celebrated, critiqued, and perpetuated Goldsmith’s stream of provocations.

The show takes its title from Joseph Kosuth’s seminal 1965 work, One and Three Chairs, in which three representations of a chair are presented side-­by-­side: a real chair, a photograph of a chair, and a dictionary definition of a chair. Similarly, for their exhibition, Goldsmith and Irving will present three representations of a tweet: Goldsmith’s original tweet, Irving’s original drawing of Goldsmith’s tweet, and Irving’s tweet of her drawing. Taking Kosuth’s provocation into the digital age, their collaboration questions ideas of visual representation in the twenty-­first century.

The exhibition will feature twenty-­two sets of three images, selected by the twenty­two most popular tweets on Irving’s feed. 

Kenneth Goldsmith is a poet who lives in New York. In 2012, he was named the Museum of Modern Art’s first poet laureate. He is the founding editor of UbuWeb (ubu.com).

Fox Irving is pursuing a MA in Visual Arts at Camberwell College of Art, University of the Arts in London.